Upcoming Cinematic soundtrack
Ramayana — Part 1
An original cinematic musical interpretation of the Ramayana in sixteen chronological chapters, bringing large-scale orchestral film scoring into conversation with Indian classical instrumentation.
Ancient narrative, contemporary sound
The Ramayana unfolds chronologically through sixteen musical chapters, from the devas’ cry for help to Shri Ram’s determination to find Sita. The first part closes on that unresolved vow.
Large-scale orchestral film scoring, Indian classical instrumentation, sacred text and experimental sound design meet in a contemporary, globally produced soundtrack. Each composition develops its own sonic identity and dominant instrument, while recurring leitmotifs connect characters, relationships, emotions and narrative events.
Narrative sources
- Valmiki Ramayana
- The primary framework for narrative sequence, scenes, characters and events.
- Shri Ramcharitmanas
- Used where appropriate for bhakti-rasa, devotional emotion and poetic passages, including the verses named in the chapter notes.
16 musical chapters
Non-final chapter titles and sequencing may evolve during production.
Traahi Maam — The Cry of Gods
The devas suffer under Ravana’s oppression and cry for help before Brahmadev, who turns toward Vishnu.
A violin-led cosmic orchestral composition moving through destruction, desperation, prayer and the promise of divine incarnation.
Mata Kaushalya’s Prayer (Bhay Pragat Kripaala)
Mata Kaushalya witnesses Shri Ram’s divine four-armed manifestation and requests Him to assume the form of her newborn child.
Female-led, veena-centered and cinematic, using the original Bhay Pragat Kripaala verses.
Dāśarathis
The childhood of Maharaja Dasharatha’s four sons — Shri Ram, Bharat, Lakshman and Shatrughna — gives way to Vishwamitra’s arrival, Dasharatha’s reluctance to part with Ram, and the first journey of Ram and Lakshman.
Bansuri-led, warm, familial and gradually transformational.
Rāmasya Darshanam — Ahilyā’s Liberation
Ahilya’s long suspended wait ends with Shri Ram’s arrival.
A monumental French-horn and brass-led composition about darshan, grace, liberation and moksha.
Puspa Vātika — The Eternal Connection
Shri Ram and Mata Sita encounter one another in Pushpa Vatika.
A deeply romantic cinematic composition with piano, santoor, cello, bansuri and subtle choir textures, using Ramcharitmanas Pushpa Vatika verses. It introduces the recurring Ram–Sita connection motif.
Pināka — The Bow of Shiva
Sita Swayamvara and Shiva Dhanush, centered on an intense Rudra Veena–bansuri jugalbandi representing the ancient bow and Shri Ram’s serene engagement with it.
The bow break becomes a massive cinematic event followed by trumpets, noble brass, conches and sacred shankhnaad.
Vivāha — The Sacred Union
Ram–Sita Vivah — a sacred and celebratory union following the Swayamvara.
Kaikeyī — The Two Boons
Manthara, Kaikeyi, Dasharatha and the two boons bring the turning point that changes the destiny of Ayodhya.
Ayodhyā — The Departure
Shri Ram accepts exile, accompanied by Sita and Lakshman. The departure from Ayodhya and Dasharatha’s grief form the emotional center.
Pādukā — The Kingdom Without Ram
At Bharat Milap, Bharat refuses to rule as king in his own right. Shri Ram’s padukas become the symbol of rightful sovereignty.
Araṇya — The Forest Years
Rivers, birds, hermitages and seasons shape the wilderness life of Shri Ram, Sita and Lakshman. Simplicity and companionship establish peace before the coming rupture.
Śūrpaṇakhā — The First Fracture
Surpanakha’s arrival destabilizes the peace of the forest and begins the chain of events leading toward Ravana.
Mṛgamāyā — The Golden Deer
Maricha, illusion, beauty and deception — the trap closes around Panchavati.
Sītā Haraṇa — The Separation
Ravana abducts Mata Sita. The recurring Ram–Sita musical motif fractures.
Jaṭāyu — The Last Flight
Jatayu confronts Ravana and sacrifices himself while trying to protect Sita.
The Vow — Until I Find Sita
Shri Ram finds Jatayu and performs his final rites. Grief transforms into determination to find Sita and Ravana — the unresolved emotional conclusion of Ramayana — Part 1.